Pompeian Ash Glazes

These glazes produce a wiggly pattern at Cone 5-6 that is similar to ash glazes that have to be fired to Cone 10. This series has to be fired to Cone 5-6 in an electric kiln. The result is similar to ash glazes that have to be fired to Cone 10 in reduction. These glazes reduce firing costs and eliminate the exposure to toxic materials that are required with such Cone 10 formulas.

Apply these glazes by brushing or dipping. Taper down the application to one towards the bottom of the piece, to give room for the glaze to run.

These glazes produce a wiggly pattern at Cone 5-6 that is similar to ash glazes that have to be fired to Cone 10. This series has to be fired to Cone 5-6 in an electric kiln. The result is similar to ash glazes that have to be fired to Cone 10 in reduction. These glazes reduce firing costs and eliminate the exposure to toxic materials that are required with such Cone 10 formulas.

Apply these glazes by brushing or dipping. Taper down the application to one towards the bottom of the piece, to give room for the glaze to run.

These glazes produce a wiggly pattern at Cone 5-6 that is similar to ash glazes that have to be fired to Cone 10. This series has to be fired to Cone 5-6 in an electric kiln. The result is similar to ash glazes that have to be fired to Cone 10 in reduction. These glazes reduce firing costs and eliminate the exposure to toxic materials that are required with such Cone 10 formulas.

Apply these glazes by brushing or dipping. Taper down the application to one towards the bottom of the piece, to give room for the glaze to run.

These glazes produce a wiggly pattern at Cone 5-6 that is similar to ash glazes that have to be fired to Cone 10. This series has to be fired to Cone 5-6 in an electric kiln. The result is similar to ash glazes that have to be fired to Cone 10 in reduction. These glazes reduce firing costs and eliminate the exposure to toxic materials that are required with such Cone 10 formulas.

Apply these glazes by brushing or dipping. Taper down the application to one towards the bottom of the piece, to give room for the glaze to run.

These glazes produce a wiggly pattern at Cone 5-6 that is similar to ash glazes that have to be fired to Cone 10. This series has to be fired to Cone 5-6 in an electric kiln. The result is similar to ash glazes that have to be fired to Cone 10 in reduction. These glazes reduce firing costs and eliminate the exposure to toxic materials that are required with such Cone 10 formulas.

Apply these glazes by brushing or dipping. Taper down the application to one towards the bottom of the piece, to give room for the glaze to run.

These glazes produce a wiggly pattern at Cone 5-6 that is similar to ash glazes that have to be fired to Cone 10. This series has to be fired to Cone 5-6 in an electric kiln. The result is similar to ash glazes that have to be fired to Cone 10 in reduction. These glazes reduce firing costs and eliminate the exposure to toxic materials that are required with such Cone 10 formulas.

Apply these glazes by brushing or dipping. Taper down the application to one towards the bottom of the piece, to give room for the glaze to run.